Selected work
The work, not the deck.
Brand films, channels, identities and the ads that carried them. Every one of these had a number attached to it.
Brand films, YouTube, reels and motion — plus the identity around them and the ads behind them. For brands who need it right and need it Thursday.
Video-first creative agency
India · Open for Q3
Selected work
Brand films, channels, identities and the ads that carried them. Every one of these had a number attached to it.
Why us
Most brands hire a studio to make the film and someone else to run the ads. The film gets made for a showreel, the ads get made for a dashboard, and neither knows what the other is doing. We do both, so the work is built to perform from the first frame.
The people cutting the film sit next to the people buying the placement. No handover, no blame.
Hooks, pacing and thumbnails treated as craft, not afterthought. The first three seconds decide the rest.
Twenty reels a month that still look like one brand. Guidelines written once, held every time.
Monthly reporting on what ran, what worked and what we're cutting next. In plain language.
Generative
The models are the easy part. The work is knowing which of forty outputs is usable, fixing the hands, matching the grade to the rest of the campaign, and cutting it to length. That's the bit we do.
slow dolly through a sunlit atrium at golden hour, 35mm, shallow depth of field, dust in the light
product hero rotating on a matte concrete plinth, studio softbox
handheld street walk, neon reflections on wet tarmac, night
macro pour, slow motion, condensation on glass, warm key
aerial pull-back over coastline at dawn, drifting cloud
On disclosure: we'll tell you exactly which shots are generated and which are filmed, and we won't put a synthetic likeness of a real person in your campaign without written consent from that person. Ad standards in most markets now require the first part. The second is just how we'd want to be treated.
Services
You can take any one chapter on its own. Most brands end up taking all three, because that's where the compounding is.
Before anything gets filmed, it needs to know what it's supposed to look and sound like.
Logo, type, colour, and a guidelines document your future freelancers can actually follow.
We hold the guidelines so the brand stays the same across every editor, agency and intern who touches it.
Static posts, carousels and story sets, built as a system so a month's grid doesn't look like five people made it.
Our core. Long form, short form, and everything that needs to hold attention past three seconds.
Full channel support — editing, thumbnails, packaging and titles. Built around retention, not just cuts.
Commercials, launch films and founder stories — scripted, shot and cut to the length the placement needs.
Vertical-first, at volume. Hook, payoff, and a cut list that keeps the grid fed every week.
Titles, lower thirds, explainers, product animation and the sting that opens every video you publish.
Generated footage, directed and graded to sit inside real campaigns. Disclosed, always.
A film nobody sees is a hobby. This is the half most studios hand off and stop caring about.
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Chapters, one team
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Videos a month, per retainer
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Where the hook has to land
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Handovers between teams
Tell us what you're putting out and when. We'll come back with what we'd make and what we'd spend — before you commit to anything.